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The Lonely Road: Four down, one to go…

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I should have written in this blog more. But, here I am only a few days from going home and this is only the second post.

It’s not like I haven’t had time. I’ve had pretty much nothing but time. I’m all alone halfway across the country from most of my friends and loved ones.

Of course, I didn’t anticipate being as alone as I’ve been. And, that’s been part of the problem.

I have several friends in the Southern California area. And, through four shows, two have them have attended. One of those friends, I think it’s safe to say, is actually living in Northern California. But, James drove all the way down to see my show and spend the evening with me. He ever brought some great beer from the Firestone Walker Brewery.

The other friend who has come to a show, Leah, I actually haven’t even known that long. We’ve really only met once before. And yet, she came to the show, and she brought friends. It was really great.

But, outside of those two bright blips, the trip has been lonely.

The actual Fringe Festival hasn’t provided much solace either.

The first day I was in Hollywood, I showed up for my tech rehearsal. That went great. My tech director, Rebecca, is awesome. I really can’t say enough nice things about her. Everyone else, though…

It seemed like everywhere I went people looked at me like I was an alien. Here’s the square looking middle-America guy wandering around trying to talk to people.

I get it. To them, I looked like some buttoned up guy. Wearing my white button down, khaki pants, and blue blazer. Of course, I wear these clothes in a kind of ironic way. It’s how people like me are supposed to dress, so I do. People at home recognize it for the shabby parody it is, but the beautiful, stylish people out here haven’t reacted so well. I even threw off the comics at The Comedy Store (blog post coming) for looking so put together and square. As Iliza Shlesinger told me, “You look like your parents had money.”

Those of you that know me know that I’m actually pretty introverted. Outside of my comfort zone of friends or family, I’m pretty kept to myself. So, it’s already really difficult for me to have to go up to people and try to talk up my show. And for them to look at me all sideways makes it even harder.

Thus, I haven’t done a lot of on the ground marketing. It’s something I’ll have to get better at.

However, there are significant problems with this Festival that are not my fault, and I’ll write another post about that once it’s over and I’m safely out of town.

So, I’ve had four of my five shows. Here are the attendance figures for each show: 7, 1, 4, 4.

Sixteen people have seen me perform.

It’s cool, though. I’ve met a few really cool people. And, I’ve used the small audiences as an excuse to work on things in the show. Try stuff out. For instance, I’ve been able to get the runtime down to 56 minutes…until last night. It went so well last night, all four people were constantly laughing, that I ended up going about 10 minutes over. Oops.

So, there are spurts of excitement. But, the rest of the time has been incredibly lonely.

I long for home. I long to see my family, and friends, to go hang out at the cigar shop, to cuddle up with Katelyn on the couch. I miss home, which is something I never anticipated.

I know now why celebrities have entourages. This would be so much more fun with someone here with me.

Last night was kind of the climax of all this. I’d just finished my fourth performance. Only four people showed up, but they were the most receptive audience I’ve had yet, which was awesome… Unfortunately, it all caused me to go way over time. So, that was a bummer. These things work on strict schedules so it’s a big taboo to use more than your allotted time. Also, for the first time, I had several no-shows from my reservation and Facebook event invite lists.

I was still feeling good, though, so I went over to the Fringe Central bar for a drink and to hopefully meet some more people. It was like I wasn’t there. Everyone already had their little groups set up, and I’m not one to go randomly barge in. So, I had one drink and left. I rolled through a drive-thru so I could have at least one hot meal that day, then went back to the apartment I’m staying in and sat in front of the computer watching Netflix until I fell asleep.

Now that the shows are almost over, that feeling of wanting to go home is increasing exponentially everyday. Especially as we go into a weekend where normally I’d get to spend it with my girlfriend.

Admittedly, I shed a few tears. It’s been hard.

The upside is that the show is really coming along and I’m getting better and more confident in my performances. But, the traveling alone kind of sucks.

Oh well, I’ll be home in a few days. It’s almost over. I have one more show tomorrow night, and I know that at least a couple of my friends are coming to that one.

I’ll write more about this in the coming week or so. There are lots of observations about fringe that I’m picking up.

Until then, 4 down and 1 to go.

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My Indiegogo Campaign

Hello, all!

Today, I have launched an Indiegogo fundraising campaign for the 2015 Summer Tour of my comedic one man show, “And Then I Woke Up”.

Well, actually I launched it last week. It took me forever to make a video for it. I got in my head – or rather I let other people get in my head – and got to where I was really overthinking it.

This isn’t a huge campaign. Id say it’s fairly modest.I’m not trying to appeal to millions, though if I do, cool.

So, what is this for?

There are a lot of costs associated with going to these festivals around the country. They basically provide the opportunity to perform, while I provide everything else. And honestly, that’s really great. For us non-professionals that want to try and build our work into something, these festivals are a great way to get exposure. But, in the meantime there are travel costs, lodging costs, food, publicity and advertising, having enough to make sure I can keep paying rent while I’m gone, and biggest of all, venue fees. It costs money to run these venues and pay the well-deserving staff. That’s on me as the producer of my show.

All in all, I’ve estimated that this tour will cost me about $12,000 when it’s all said and done. To date, I’ve already spent close to $3,000. And, you’ll notice that my Inidiegogo campaign is for $6,000. That’s because I expect to put in just as much, and probably ultimately more, than I would ask anyone else to put in.

And, that goes to the incentives as well. It’s not a lot of trinkets that you’ll never wear or use. It’s mostly stuff that I have to work for. Whether it’s performing, collaborating, straight up working, or brewing, I tried to make my incentives something that I had to work to earn. I believe in working for what I get, and I thought this was a good way to run my campaign.

So, check it out. And please donate. I appreciate the support.

Also, please “like” and “share” liberally. These campaigns aren’t made by just friends and family. They’re made by friends of friends, friends of family, and friends I haven’t even met yet.

Thank you for your time and thank you for your support.

Hooray for Hollywood!

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I’ll be performing at the 2015 Hollywood Fringe Festival

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Where: The Complex in The East Theatre (6468 Santa Monica Blvd)

When:

Friday, June 12 @ 9:00

Saturday, June 13 @ 7:00

Monday, June 15 @ 9:00

Thursday, June 18 @ 7:30

Saturday, June 20 @ 8:30

TIckets: On sale May 1st http://www.hollywoodfringe.org/ (I’ll post direct links on the 1st)

This is my first out of town show ever. It’s super exciting! Also, looking forward to seeing all my LA friends (and begging to sleep on their couches).

Also, don’t forget. Tickets for the Dallas Solo Fest go on sale tomorrow @ www.dallassolofest.com

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2015 Dallas Solo Fest!!!

I am incredibly honored to announce that I’ll be performing at the 2015 Dallas Solo Fest, June 4-14

Where: Margo Jones Theatre in Fair Park, Dallas, TX

When: June 4-14, 2015

My Specific Shows:

Thursday, June 4 at 9:00 pm

Saturday, June 6 at 10:30 pm

Sunday, June 7 at 5:00 pm

Tickets: $12    http://www.dallassolofest.com/tickets.html

More Info: http://www.dallassolofest.com

This is a particularly exciting show for a couple of reasons. 

          First, it’ll be the World Premiere of …and then I woke up

          Second, it takes place in my hometown (sort of…I’m from Ft. Worth, but close enough!)

     Those that have known me for any amount of time know that the struggle to get to this point has been pretty tough at times. In fact, the show uses this for some good comedy. But, it was very real. When I made the decision that I was gonna go for it and really try and get my writing and performance career off the ground, it was at a time in my life when things really couldn’t have been any lower. 2008-2009 was devastating on several fronts. Like many people, the recession wiped me out. I’d finally (I thought) taken a step towards something good (my art gallery) when the economy went into the tank. I’d gone through a pretty terrible breakup. I’d had some issues at school that would end up delaying my graduation by years, and I’d endured several other (almost entirely by my own actions) personal struggles. It was bad.

     But, as I sat in the gallery one day, knowing that it was about to close, and knowing that I had little choice but to crawl back home with my tail between my legs, I made a decision. I decided that I was done working for other people (metaphorically, of course). From then on, everything I did would be in service to this very moment.

     And, it’s taken a very long time. And, it has rarely been smooth sailing. But, the moment is finally here. I’m premiering an original work at a performance festival in the place I live.

     I’m excited that Dallas is the first (followed, so far, by Hollywood, DC, and Chicago).

     A very big thank you to Brad McEntire at Audacity Theatre Lab. He’s the man behind the Solo Fest. Over the years I covered him as a critic, we became friends. Or, as friendly as an artist and critic could be. It was a little easier considering how amazing his work consistently is. This opportunity is a direct result of his belief in my work. He saw my first public performance last year and immediately invited me to perform in the Audacity Solo Salon in December, and apply for the Solo Fest. I owe a lot to him, and hopefully I’ll justify his confidence with a solid set of performances in June.

     Another big thank you goes to Erin Singleton and the team at the Nouveau 47 Theatre. Erin gave me that first performance opportunity last year. And, she did it knowing I was a critic. There has been some pushback from the local theater community as a couple of us critics have crossed over into performing, but Erin gave me a shot. And, that went so well she gave me a chance to submit a short play to the Nouveau Holiday Show, which also went well. Just like with Brad, Erin, has been an early believer in my work. And I’m grateful. Especially since it is a considerable risk to give me a shot in this town. A lot of people still think of me as a critic. A critic who has ruffled some feathers at times. Erin saw past that, and I’m eternally grateful.

    There are so many people to thank. Really, I’ll try to list some, but if your name isn’t here, know that the list is very long. And if I see you, I’ll tell you in person, which is always better anyway.

     To my teachers over the years. Faye Youngblood, Suzanne Borski Robinson, Donna Matney, Donna Clevenger, Larry Wheeler, Amy Jackson, Kelly Taylor, Justin Trudeau, Jay Allison, Shaun Treat, Brian Lain, Karen Anderson Lain, Thomas Riccio, and Fred Curchack.

     To Kim Jackson, Robert Hart, Joe Lipscomb, Nathan Siegele, Lance Lusk, John Michael Colgin, Danielle Clemens, Melia McFarland, Jillian Jordan, Carrie Helms Tippen, Jay Tippen, Shelly Stearns, Matt Ducey, Jesse Jenkins, Mark Lowry, Elaine Liner, my cigar shop family, etc, etc, etc. I have a really great group of friends who have always supported me and I’ll never be able to thank you as much as I should. But, I’ll try.

     And to my family. My choices haven’t always made sense to you, I know. But, you’ve supported me nonetheless and that really does mean a lot. It’s more than most people get, and I’m very grateful.

Thank you again to everyone. This is a super exciting time and I’m glad I get to share it with all of you. See you at the Margo Jones Theatre in June!

BIG NEWS!!!! Mr. Noteboom goes to Washington!!!

“…and then I woke up.” is traveling to Capital Fringe in Washington D.C., July 2015!!!

That’s right, everyone! My shows has been accepted to the 2015 Capital Fringe festival in Washington D.C. I’m extremely excited. I love D.C. It’s such a great town. And the chance to perform and make new friends and connections is super awesome.

More news on performance dates and venue to come in April. Stay tuned!!!

BIG ANNOUNCEMENT!!! “…and then I woke up.” is in the 2015 Chicago Fringe Festival!!!

I don't need no freaking script! The thing on the music stand is my Zoom audio recorder. We filmed the performance.
I don’t need no freaking script! The thing on the music stand is my Zoom audio recorder. We filmed the performance.

I’m extremely excited to announce that my one man show, “…and then I woke up.” has been accepted to the 2015 Chicago Fringe Festival this coming September!!!

More details as I have them.

Great day! Thanks to everyone who has helped me get to this point so far. Especially Fred Curchack, Thomas Riccio, Brad McEntire and Audacity Theatre Lab, and Erin Singleton and everyone at Nouveau 47 Theatre!

This is the beginning of a great journey!

“…and then I woke up.” at the Audacity Solo Salon!

Monday night, December 8th, I performed a 20 minute selection from my solo show “…and then I woke up.” at the Audacity Solo Salon at the Margo Jones Theater in Fair Park, Dallas. The evening was hosted by Audacity Theatre Lab boss Brad McEntire, and featured performances by Brad and local writer/performer Adam A. Anderson.

I don't need no freaking script! The thing on the music stand is my Zoom audio recorder. We filmed the performance.
I don’t need no freaking script! The thing on the music stand is my Zoom audio recorder. We filmed the performance.

The evening was awesome! Brad opened with a selection from his solo show Cyrano A-Go-Go, the story of his entry into the theatrical world through Edmond Rostand’s play about the man with the big nose.

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Adam then gave his spoken word performance The Creation of an Asshole. It was dazzling. Rhythmic, rhyming, and brilliant.

Left to right: Adam A. Anderson, Brad McEntire & me!
Left to right: Adam A. Anderson, Brad McEntire & me!

Finally, it was my turn. Unfortunately, I was in the process of losing my voice and had somehow neglected to take some water up on stage with me. Nonetheless, the performance went very well. There were plenty of laughs, and the notes I got were things that would be corrected in the context of the full show. In that, performing only 20 minutes of a 60 minute show means there are some references that don’t quite make sense unless you’ve seen the first part of the show. But, that part has been workshopped to the point of being finely tuned. This middle bit was getting its first real spin outside of a classroom. Had to see what it could do, and came away happy.

The full show should be on display soon! Watch this space.

Dallas Morning News names “A Very Nouveau Holiday” as one of the Top 5 shows to see this weekend!

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Opening tomorrow, A Very Nouveau Holiday, of which my show Playing Santa is a part, was named by Dallas Morning News theater critic Nancy Churnin as one of the Top 5 shows to see in Dallas this weekend! Don’t miss it!

http://artsblog.dallasnews.com/2014/12/five-top-theater-picks-with-a-little-help-from-the-nouveau-holiday-elves.html/

“Playing Santa” – Two guys, dressed in the iconic red suit, are waiting at an audition to play Santa Claus. How exactly does one audition to play Santa? Come see the hilarious results for yourself!

My performances are specifically on Thursday and Saturday for the next two weekends (11th, 13th, 18th & 20th).

See the link for details.

https://www.facebook.com/events/375880529237000/?ref_newsfeed_story_type=regular&pnref=story

Photo by Robert Hart www.roberthart.com
Photo by Robert Hart
http://www.roberthart.com

BIG, BIG, BIG NEWS!!!! (coming soon)

Hello, everyone!

I got some very big news today concerning my show “…and the I woke up.”

I can’t share the details yet, but I will soon.

In short, though, you’ll all have an opportunity to see the show in the near future!

Until then, you can get a preview of what’s to come on Monday, December 8th at the Audacity Solo Salon!

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Check the link for more details: https://www.facebook.com/events/1732977533594481/?ref_dashboard_filter=upcoming

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